The new Jewish Humour?
A writer for the Ali G show is taken aback at what he hears at the Edinburgh festival.
THERE’S NOTHING I like more than a Jewish joke. It’s the anti-Jewish ones I’m not so keen on.
Wandering through the streets of Edinburgh during the world’s largest arts festival, you never know what sight or sound you will be bombarded with next. Half-naked men on 6ft stilts meander by, half-naked girls rush to sell you their show, troops of Japanese acrobats tumble past. But I wasn’t prepared for the verbal assault I got when I wandered into a comedy gig this week.
There have always been anti- Semitic jokes. But you know times are changing when you go along to a stand-up show at the Pleasance Courtyard at the Edinburgh Fringe and you hear audience members shouting “Throw them in the oven” when the comic suggests kids should stop playing Cowboys and Indians and replace it with Nazis and Jews.
Stand-up comedy is as good a prism as any through which to look at the changing attitudes in our society. If my past few days are anything to go by then it is becoming increasingly acceptable to hate the Jews. Again.
I’ve seen two comics so far who have been happy to amuse their crowds with Holocaust gags. I’m not sure which to be the more concerned about.
One was a left-leaning angry Australian conspiracy theorist, Steve Hughes, whose show The Storm is an assault on all things Western. “I want to bash Condoleezza Rice’s brain to bits and kill that f****** Jew Richard Perle.” Hughes is the one at the Pleasance Courtyard while Perle is an adviser to George W. Bush as he was to Ronald Reagan and Bill Clinton on foreign affairs.
The second was a far more charming African-American comic who for much of the show was thoughtful, funny and even quite sweet. But he seemed to have a problem with Jews, too. Reginald D. Hunter is doing sell-out shows in the new E4-sponsored venue, the Udderbelly. Three hundred come along every night to see Hunter’s Pride and Prejudice and Niggas. You should see the poster.
I was laughing along until he announced that he was about to be extremely controversial and break the last taboo of stand-up comedy. Long silent pause. "Jeeeeews" Another long pause with some giggles from the audience. "You see, you’re not allowed to say that."
He went on to say how its illegal to deny the Holocaust in Austria. He has a good mind to go to Austria, stand in the street and say the Holocaust didn’t happen so that he could get arrested and tell the judge he was talking about the Rwandan holocaust. Whether or not he thought there should be a law against going to Rwanda and denying that genocide, he didn’t say.
By claiming that making a joke about Jews is the one last, great comic taboo, he simultaneously provides the moral justification for a crack at the Jews and he silences them from the right to complain, as this would only confirm the unspoken premise: that Jews are overprotected in society or even worse that Jewish media controllers are obsessed with silencing any criticism of their own.
His joke is essentially one about freedom of speech and selective Jewish control of that freedom, but he gives the lie to his true feelings by his choice of example. Of all the possible targets, of all the things he might wish to say, his complaint is that he is not permitted to parrot the greatest anti-Semitic slur of the last hundred years — that the Holocaust never happened. As a believer in free speech, I am not convinced by the criminalisation of Holocaust denial, but that does not mean I am confused about the motives of those who wish to utter it.
1 Comments:
The comics are less disturbing than the audience reaction.
There will always be 'artists' who try to 'push the envelope' -- but the fact that people would respond as they did, and that apparently, no one was even offended enough to leave --- that's frightening.
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